John Ironmonger (author of 'Not Forgetting the Whale' - and other books) ... blogging about life, and travel, and books, and family, and writing, and Javan rhinos ...
The Wager and the Bear [Posted 29th Feb 2024]
One Step away from the Precipice: Climate Change in Fiction [Posted 20 Nov 2023]
This was my article yesterday in La Repubblica - Italy's biggest newspaper. The title translates as 'One Step from the Cliff' - and it is an artcle about climate change in fiction, and about my novel 'The Wager and the Bear' (Soon to be published in English I hope).
David Bowie had a remarkable
talent for writing songs that could conjure up a story. It is impossible to
listen to ‘Space Oddity’ without imagining Major Tom, sitting in a
tin-can, drifting forever into space.
But the Bowie song that stays with me most is ‘Five Years’. It tells
a very simple story. News has reached us that the earth has only five years
left. The planet is dying. In the song, the newsreader weeps. All around the
market square people lose their minds.
What would it be like, I have
often wondered, if we really were told this news? If a solemn news report,
backed by all the world’s serious scientists, was to tell us we were running
out of time? How would we react?
Well we now know the
answer to this question. Newsreaders wouldn’t weep. No one would go crazy. We
would ignore the danger and carry on with our lives as if nothing had changed. We
know this because this is what we do. Every few months the Intergovernmental
Panel on Climate Change (IPCC) produces a new report telling us the planet is
running out of time. Every year the COP climate change conference makes dire
predictions. Every year we learn that the previous year was the hottest on
record. We watch forest fires in Canada and Brazil. We see dramatic floods,
powerful storms, devastating droughts. We watch the collapse of animal
populations. World leaders fly in and out of conferences. They make vague
promises. But very little changes. And the world continues to die.
The challenge seems to be
a failure of human imagination. Perhaps it is the timescale. If the world was
doomed in just five years, we might be more alarmed. If it was an asteroid hurtling
towards us, we might make a real global effort to find a solution. But climate
change seems to be a long unfolding tragedy. We are like passengers in a
slow-motion train crash. The train is heading for a precipice, and all the
pieces are in place for a terrible disaster, but everything is moving so slowly
we stop worrying.
All this presents a
particular problem for story tellers. Climate change is the biggest story of
our time, yet very few novelists are ready to grapple with this. Ten centuries
from now, if humanity is still around, I suspect historians will only be
interested in one story from our generation - how we responded (or failed to
respond) to this existential threat to the planet. Science fiction, in general,
has done us rather a disservice here. Writers have sold us either Mad Max-style
desert dystopias, or impossible tales of starships taking survivors to new
green planets. What we don’t have are real world stories that could help us to
imagine the kind of earth we are creating. And that is a shame, because imagination is
what we need, now more than ever.
Once again, timescales seem
to be the challenge. Novelists need a central protagonist with whom readers can
identify. This character needs to have a story arc, and human dramas are
typically too short for climate change to feature very much. There is a second
problem too. It is hard to imagine any
character playing anything but a very minor role in what is a huge global
drama. No one is going to step forward like Bruce Willis and save the world. For
a writer, that is an unhelpful backdrop. We do not like to set up a jeopardy
for our characters, without giving them some way to fight back. But how do you
fight back against a warming planet?
In ‘L’Orso Polare e una
Scomessa Chiamata Futuro’ (The Wager and the Bear) I hope I may have found
a way to navigate a little around these two problems. The narrative unfolds
over a whole human lifetime, and the central characters are front-seat
observers of the climate disaster. The story involves two young men. One,
Monty, is a politician. He is a climate change-denier. He lives in a grand house
on the beach in Cornwall. He has a splendid lifestyle, and like so many of us
in the slow-motion train crash, he doesn’t see the precipice approaching. The
second man, Tom, is a climate scientist and campaigner. One drunken night, over
too many glasses of cider in the local inn, the two men get into a quarrel. It
ends with a deadly wager. In fifty years, either the sea will rise enough to
drown Monty in his home, or Tom will accept the jeopardy himself, and will walk
into the sea and drown. A video of the wager, posted online, goes viral. How
will it all work out?
Well we have fifty years
for the story to unfold. The lives of the two men cross several times, leading
them both onto a melting glacier, and ultimately onto an iceberg floating down
the coast of Greenland where their only companion is a hungry bear.
The story is not entirely
without hope. It is set against the backdrop of a campaign to restore some of
what the world has lost. Neither Monty nor Tom can save the world. But there is
at least hope, as well as despair.
Climate change doesn’t
have to be front and centre in contemporary fiction. But we shouldn’t be
ignoring it either. As writers we have a responsibility, sometimes, to make the
future seem real. We are hurtling towards a world of human-made disasters, of
dying oceans, of rising seas, of failing harvests, of droughts, of economic
collapse, and of climate-driven conflicts. We cannot ignore these things. If
these aren’t part of our fictional landscape now, then they need to be. Otherwise one day we may find we have just
five years left. And it won’t just be the news readers weeping.
Check out my website: www.johnironmonger.com
Cats, and Spaghetti, and Climate Change [13 April 2023]
I can’t remember when (or where) I first heard the expression, ‘herding cats.’ I don’t think this idiom was around when I was young. So far as I can tell, it was invented sometime in the 1980s and it took off. Soon everyone was using it. It’s a great little saying because we all know enough about cats to understand right away what it means. ‘I did my best, but it was like herding cats.’ At once we appreciate the futility, the complexity, and the sheer absence of co-operation from everyone concerned. You don’t get herds of cats. They are too bloody-minded.
My father had a saying that meant almost the same thing. But
not quite. He would say, ‘it was like trying to organise spaghetti.’
Somehow, for me, organising spaghetti feels like an enterprise even more doomed
to failure than herding cats. The cats may not want to be herded, but there is
at least the possibility that they might eventually succumb. Spaghetti on the other
hand will never submit to organisation. And unlike the cats this isn’t due to wilfulness
or contrariness. Disorganisation is a property of the spaghetti itself.
Efforts to resolve the climate-change crisis are often
compared to herding cats. In this metaphor the ‘cats’ are the 195 countries on the
planet, across 7 continents, where no two countries think alike, or act alike,
or have the same priorities, or enjoy similar political systems, or possess the
same resources, or have the same levels of understanding. How do we ever herd
these slippery belligerent cats into the same box? Even so, I worry that the problem is more like
organising spaghetti. There is no way to do this. We’ll never get everyone on
board. Perhaps we ought to accept this and find a different way.
There is, by the way, a rather clever online tool called ‘Google
NGram Viewer.’ It can help you to figure out when (but not necessarily where) a
word or an expression arose. It searches millions of books over the past two
centuries, and if the words you’ve entered appear in 40 books or more in any calendar
year, it counts them and plots a graph to show how the frequency has changed
with time. Forty books feels like quite
a high bar to me. If you enter ‘herding cats’ you won’t find any use of
this expression until 1938. In 1942 the phrase disappears, and it doesn’t
reappear until 1987. After that the frequency graph rises meteorically, like
the lift-off of a space rocket. It is as if there was something that happened
in the Eighties that made this expression useful.
If, by the way, you try ‘organised spaghetti’ in NGram
Viewer you don’t get any results at all. Maybe this expression was exclusively
my dad’s.
If I look up from my keyboard, and glance out of my window,
I can see a storm coming. The clouds gathering over the estuary look as grey and
heavy as gunmetal.
And now, in the time it has taken me to type that last
sentence, the storm is upon us. The rain is driving against my window. I no
longer have a view. Funny how the weather
can do that, and we all accept it. We look at the forecasts and we plan our
days around them. Let’s do the beach on Sunday when the rain stops. But
if we’re told the whole global climate is changing, we go into a complex form
of denial. We don’t really know how to plan.
We hope that tomorrow will be much the same as today, and on the whole it is,
and that gives us comfort. It makes us think this is nothing to worry about. Yet.
One metaphor I have heard used about climate change is ‘a
slow-motion car crash.’ I used this myself in a novel, ‘The Wager and
the Bear.’ The image I wanted was of
an impending catastrophe where the parts are all in motion, where no one is yet
hurt, but where terrible death and destruction await if no one acts to stop it.
A slow-motion car crash seems to tick all of those boxes. But all the
same, I’m not altogether happy with this metaphor. For a start it seems too
prosaic. (I’m using the word prosaic to mean lacking in poetry – but also
to mean lacking in purpose.) I’ve tried to think of a better image. A train
crash is better perhaps, because it involves more people. But slow-motion is
insufficient to describe the slow and gradual increments of change that the
climate crisis delivers. Sea levels are rising by around four and a half
millimetres a year. In ten years, at this rate, they will rise four and a half
centimetres. And the sea, as we know, moves up and down, sometimes quite
erratically so that doesn’t feel like a threat. Not really. In a century the
sea might rise forty five centimetres. About knee high. And none of us likes to
think forward more than a century. Do we?
Isn’t that odd? We don’t have this blind spot with history.
We’re fascinated by the lives of the Tudors (Henry VIII was on the throne 500
years ago). We love stories about the Romans (2,000 years ago). And yet we don’t
speculate much on where our descendants might be in 500 or 2,000 years – what kind
of world they will inhabit. Or what (since we chose this measurement) the sea
levels might be. So let’s speculate then. Assume that sea levels keep on rising
at 4.5mm a year (in reality the rate will almost certainly accelerate but let’s
ignore that for a moment.) Our descendants in 2000 years will inherit seas 9
metres higher than today. The map of the world will have been altered
irreversibly. Britain will have lost most of East and Central London, and great
swathes of the Thames Valley including towns like Dartford, and Kingston.
Hundreds of seaside towns will have been wholly lost to the rising waters -
places like Portsmouth, Southampton, Middlesborough and Blackpool, Cardiff and
Newport, and Gloucester. Lincoln (now 38 miles from the sea) will be a seaside
town. So will whatever remains of Cambridge. So will York. So will
Taunton. Across The Channel most of the
Netherlands and much of Belgium will be underwater. So will huge tracts of Northern Germany.
America will lose thousands of communities down the Eastern seaboard. China will lose Shanghai and Guangzhou. Bangkok and Kolkata and Ho Chi Minh City will be gone. And Basra, Abu Dhabi and Dubai.
And here’s the thing. The water will still be rising. It
still has a way to go. If all the ice melts (and it probably will if global
temperature rises by 4 degrees) then sea levels rise seventy metres or so.
9 metres of sea level rise puts the Netherlands underwater |
And sea level changes are, perhaps, the least of our
worries. A 4 degree rise would make most of the world between the tropics practically
uninhabitable. It would certainly make agriculture almost impossible. It will cause
catastrophic drought . And the Northern farmlands which will now be warmer will
not take up the slack. Celestial mechanics will still restrict sunlight in
winter, and the soils are anyway very unproductive. And anyway a weird side
effect of climate change might mean that as the world gets hotter (and sea
levels keep rising) Europe curiously will get colder as ocean currents slow
down.
Finally there is a terrifying threat. This is how it might be in, 'The Year of the Dugong.' If atmospheric CO2 levels exceed 1,200 parts per million (ppm) (and they could) it could push the Earth’s climate over a tipping point. This would see clouds start to break up, and, a cloudless world will reflect away less sunlight. According to research published in the journal Nature Geoscience, this could trigger another 8°C rise in global average temperatures. Game Over.
So slow-motion train crash doesn’t work, does it? ‘Ultra-slow
motion asteroid-collision,’ might be better. A disaster movie that runs at
one frame a year. But the disaster is still going to happen. And it is inevitable
unless we can herd the unruly cats who govern us and get them to start
organising the spaghetti. Now.
Please check out my website for more information on my books. https://www.johnironmonger.com
Out today for COP26 ... 'The Year of the Dugong.' (1st November 2021)
My novella for COP26, 'The Year of the Dugong,' is now available in English as a Kindle Novella. I should dearly love you to read it. I would especially love you to read it during COP26. It isn't a long read. It's about one quarter the length of a full novel. But I hope it packs a serious punch all the same. Here is the link: https://www.amazon.co.uk/dp/B09KQRY62C/ref=cm_sw_em_r_mt_dp_S30JFFM17SMMND320K9V
I wrote this as a short story to highlight issues around climate change and extinction. If you like it, and if it moves you at all, do please let me know.
The story has been published exclusively as a hardback novella in German by S Fischer Verlag - as 'Das Jahr des Dugong.'
Please check out my website for more information on my books. https://www.johnironmonger.com
The Year of the Dugong (Das Jahr des Dugong): The Inside Story (31st May 2021)
This gorgeous cover-design is for my novella, ‘The Year
of the Dugong’ (Das Jahr des Dugong)’ due to be published in German on
October 26th by the amazing team at S Fischer Verlag in Frankfurt. So
far, this is an exclusive deal and I don’t yet have (any may never have) an
English language publisher for this story. All of which may sound a little odd,
and it deserves an explanation.
Perhaps I should start with the story.
Early in 2020 my agent, Stan, called me for a conversation.
Did I have another novel on the go? I told him I did. Sort of. Except it wasn’t
strictly a novel. It was a collection of short stories. There was an
uncomfortable silence on the phone. You never want your agent to go silent. And
this was when I learned that short stories are not particularly popular with
publishers. It may be my memory, but I seem to recall the expression, ‘career
suicide’ being floated in the conversation. It wasn’t especially encouraging.
Anyway, I stubbornly persevered with the collection, and
sure enough, just as everyone had predicted, the final set of stories was not
really suitable for publication. Which is a shame, but I get it. I shelved the
stories and started work on a novel instead.
But here comes the silver lining. There was one story in the
collection I was reluctant to part with. It was a tale about climate change. Climate
change is a tough subject for a fiction writer. It is a slow, unfolding catastrophe,
and the time scales are generally too long to grapple with effectively – at least
within the lifetime of a single protagonist. To get around this, I had the idea
of a Rip-Van-Winkle character from 2019 who falls asleep and awakens a very
long time in the future, only to find himself blamed for his part in the
destruction of the planet. One day, in the spring of 2021, I mentioned the
story on a zoom call with S Fischer Verlag. ‘The Whale at the End of the
World, (Der Wal und Das Ende der Welt)’ had been in Der Spiegel’s Top 10
Paperback chart for 50 weeks, and we were exchanging ideas for the new novel.
At one point I said, ‘this reminds me of a short story I’ve just written,’ and
my editor in Frankfurt said, ‘send it to me.’ A day or so later she called back. Could they
please publish it?
The story was The Year of the Dugong.
I am so excited that Fischer are publishing Dugong as
a novella. I did wonder, for a while, if I ought to develop it into a full-length
novel, but truthfully, the story felt complete; I sensed that stretching it out, and introducing
more characters would dilute the impact. I asked my editor at Fischer if she
could time the publication to coincide with COP26, the UN Climate Conference planned
for November 2021. She agreed. So it will hit the bookstands in Germany on 27th
October.
If no UK publisher picks up the story, I will post the English
language original onto this blog as a PDF or Kindle file to
coincide with the German publication. Or drop a comment into this blog and I
will email it to you on 27th October.
And that’s it. That’s why I find myself in the very unusual
position of having a book published exclusively in a language that I don’t speak.
And it has a beautiful cover. Don’t you agree?
AI Illustrates 'The Wager and the Bear': Part Two - Chapters 7-13
Here we go with some more of the weird and wonderful creations of OpenArt.AI illustrating chapters from 'The Wager and the Bear.' ...
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This gorgeous cover-design is for my novella, ‘ The Year of the Dugong’ (Das Jahr des Dugong )’ due to be published in German on October 2...
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