Showing posts with label The Year of the Dugong. Show all posts
Showing posts with label The Year of the Dugong. Show all posts

How many giraffes were on the ark? (and other musings) [22nd April 2024]

So how many giraffes do you think there were on Noah’s ark? (By the way you don’t have to believe in Noah or his ark to answer this. It is a theoretical question. You only need some familiarity with the mythology.) I’m asking because this is a question that pops up in my novella ‘The Year of the Dugong’ and the answer sheds an interesting light on our knowledge (or lack of it) of the natural world. Stay with me …





 Start, if you can, by imagining an illustration of Noah’s Ark – the kind you might find in a children’s book. Like the one I’m using here. An artist with this commission is ridiculously spoiled for choice. There are a million or so animals available to populate the picture. But since most of those million creatures would be rather inappropriate for an ark – including fish, bugs, worms, and myriads of sea-creatures, let’s limit the scope to land mammals, reptiles, and flightless birds. This would offer around fifteen thousand pairs of animals for our illustrator to choose for the ark. Yet despite this, you may have noticed, one pair of animals nearly always makes an appearance – giraffes. No respectable ark is complete without them. Just two of them. But here is the thing. Two giraffes are not enough. There are, you see, depending upon whom you ask, either four, six, or eight, or even nine different giraffes. Noah would have been remiss in his duties if he didn’t take eighteen. You don’t often see eighteen giraffes on Noah Ark. But perhaps you should.

It might surprise you to learn that a giraffe is not always a giraffe – or rather that two giraffes randomly admitted onto an ark might not necessarily be the same. We are used to using the one word, ‘giraffe’ to describe them all. But that’s our laziness or our ignorance, not a recognition of reality. The four species most zoologists agree upon are the Masai giraffe, the northern giraffe, the reticulated giraffe (sometimes called the Somali giraffe), and the southern giraffe. It isn’t all that difficult to tell them apart. The reticulated giraffe, for example, has a rather distinctive pattern. It doesn’t have spots. It has a kind of continuous, smooth, white line on a nutty brown, almost orange background, creating large and slightly irregular polygons, like something drawn by a graphic designer during a coffee break. The Masai giraffe is a whole lot darker, and its pattern is blotchy. It has smaller markings that are sometimes described as ‘star shaped’ but are more like the kinds of explosion-shapes you get in comic books. The northern giraffe looks something like the reticulated giraffe, but with smaller markings and a wider white line. You can spot a northern giraffe because its pattern ends at the knee (which is not strictly a knee, but you know what I mean). The southern giraffe is lighter – often very pale – with spots on the lower legs.  

And there could be more. There are zoologists out there who insist that the northern giraffe is not one species, but three; these people are cheerleaders for the Kordofan giraffe which lives in hard-to-get-to places like Chad and the Central African Republic, the Western giraffe (mostly confined to Niger), and the Nubian giraffe which lives in East Africa but isn’t really happy there. Equally the southern giraffe might be two species –the Angolan giraffe, and the South African giraffe. Which would give us eight.

This is all rather confusing, and somewhat unexpected. This is the Twenty First Century after all. Surely, we know how many species of giraffe there are? But no. It seems we don’t. The fact is, while zoologists can get very worked up about identifying species, giving them names, describing them in guide-books and so on, nature itself tends to get on with things in a much more messy way, content to leave the cataloguing up to us. Most dictionaries define a ‘species’ broadly, or approximately, as ‘a group of living organisms consisting of similar individuals capable of interbreeding,’ and this is an important definition because the idea of a species is a fundamental concept in biology, in the same way, perhaps, as an element is in chemistry, or a date is in history. A species should be something with hard boundaries, about which we can all agree. But take a look again at that definition. ‘Similar’ is a rather vague word to have in a dictionary definition. Is a reticulated giraffe similar to a Masai giraffe? Well yes. Tourists might see both in parts of Kenya and not be aware they’ve seen two different giraffes. But can they interbreed? Now this is harder to establish. We know from studies of giraffe genes that the four species described above have not exchanged genetic material for over a million years. But this doesn’t mean they couldn’t. Maybe they have been separated geographically for so long they haven’t had the opportunity to try. Perhaps if Noah found two frisky, fecund giraffes – one reticulated and the other, say, a Nubian – they might be persuaded to breed. This isn’t an experiment we can readily carry out, and even if we could, there are powerful ethical arguments that would (and should) prevent us. But even if we were, somehow, to cross a Masai and a Nubian giraffe, it wouldn’t necessarily mean they were the same species.

Consider the lion and the tiger. No one would dispute these are different, very distinct species. Yet there exists an animal known as a ‘liger’ which is the offspring of a female tiger and a male lion. (A ‘tigon’ is a similar thing where the parents are the other way around). Ligers and tigons only exist in captivity, and no evidence has ever been found that lions and tigers have ever interbred in the wild (even though their ranges cross in parts of India). We know from genetic studies that lions don’t have tiger genes, or vice versa. There was once an assumption that these liger and tigon hybrids would always be infertile in the way that mules are (a mule is a cross between a horse and a donkey), but this doesn’t seem to be the case. In 2012 a Siberian zoo successfully bred a ‘liliger’ which is the offspring of a lion and a liger.

So where does this leave us? Are lions and tigers the same species or not?

On 11th July 1978, shortly after nine in the morning, a 22 year old Asian elephant called Sheba, who had been behaving rather strangely, surprised her keepers at Chester Zoo in the north of England by delivering a calf. The only bull elephant Sheba had encountered for well over two years had been a rather temperamental African elephant known as Jumbolino or ‘Bubbles.’ No one had expected an Asian elephant and an African elephant to be able to interbreed. The calf, called ‘Motty’ (after George Mottershead the founder of Chester Zoo), had ears like an African elephant, but just one ‘trunk finger’ like an Asian elephant. A day later the baby elephant was on his feet and bottle feeding, and within four days Sheba was feeding him normally. Sadly he didn’t survive very much longer. He died of septicaemia aged just ten days, but there is no reason to think he couldn’t have lived for very much longer – perhaps even a full elephant lifespan.

As you’d expect, these are by no means the only animal hybrids, or even the best known. The world of hybrid animals is characterised by an apparent desire to mangle a name for the new creature out of the names of the parents. So we have zeedonks (zebra and donkey), jaglions (jaguar and lion … although surely jagons would be more conventional), grolar bears (grizzly bear and polar bear), and even camas (camel and llama). There was once a fashion for creating such animals, although most zoos would look dimly on such an idea these days.

But perhaps the real surprise should not be that some animals can be persuaded to interbreed, but rather that so few do, and especially that this hardly ever happens without our encouragement. It seems that the word species might need a bit more definition. Perhaps we should redefine it as ‘a group of living organisms consisting of similar individuals capable of interbreeding, and generally disinclined to breed with any other species.’

This is important because the whole idea of the species is so fundamental to zoology. So while we are about it, shall we dispose of some of the other words people often use when they try to talk about a species? Let’s kick off with breed. I can’t tell you how irritated it makes me when I hear someone call, say, a chimpanzee, a breed of monkey. To begin with a chimp isn’t a monkey – it’s an ape. More importantly a breed is something we humans create. We breed dogs for hunting or for fetching or for pampering and the resulting specimens we call a breed – cocker spaniels, German shepherds, French poodles – these are all breeds. Throw them together and they would have no hesitation in creating all manner of cross breeds, and these are breeds too whether or not they are recognised and named by the Kennel Club or anyone else for that matter. We have breeds of sheep, of cattle, of domestic cats, but we don’t have breeds of giraffe or chimpanzees. While we’re on the subject of breeds, we could throw in varieties. I have heard this word used too when the speaker clearly meant species. You can have varieties within a species. Some people have red hair, others are dark. Some giraffes are taller than others. Variety is the motor for evolution, but varieties are not taxonomically significant – which is to say they don’t affect the way we classify or name animals or plants. Variety is often used by breeders to describe variations within a breed, and they can be given names of their own – especially with plants. Any competent horticulturalist can create new varieties of say, roses, by selecting seeds with the characteristics they would like to see. Mix and match, and a couple of generations later, hey presto, a rose named after your grandmother. That’s a variety.      

So having cleared that one up, let’s turn our attention to a much more slippery word. In a park in Williamstown, Kentucky, about an hour’s drive south of Cincinnati, you will find a very curious tourist attraction. Ark Encounter is a building designed to look like … well, an ark, albeit an ark on land. Apparently built to the dimensions provided in the book of Genesis, it’s aim is to convince us that Noah was a real historical figure and his ark was a proper boat, and that, guess what, he did indeed sail away in a flood with two of every kind of animal, and there on board to help prove the point are models of hundreds of animals including dinosaurs and even a couple of unicorns. But did you notice the contentious word? Kind. This is the word that enables Ark Encounter to get away without providing sixteen or eighteen giraffes, or six thousand snakes, or seven hundred thousand beetles. Their website explains it like this: “Species is a term used in the modern classification system. The Bible uses the term “kind.” The created kind was a much broader category than the modern term of classification, species.”

There. With a single judicious use of an ambiguous word translated roughly by seventeenth century scholars in England from a seventh century Greek translation of a bronze age Hebrew manuscript, Ark Encounter are able to sweep away a thousand years of biological science. This is very convenient for creationists. They no longer have to house loads of giraffes on the ark. Two will do. A website called ‘Answers in Genesis’ goes even further; it argues that the giraffes on the ark not only became the ancestors of all of today’s giraffes, but also of okapis, and a host of now extinct creatures. (That sounds suspiciously like evolution to me but let’s not be too provocative.) The Answers in Genesis site goes as far as proving us with a picture of what the giraffes on the ark might have looked like. They label the picture ‘Shansitherium.’

There is no point really trying to argue with this. Creationists will believe what they want to believe. But can the rest of us please agree that the word ‘kind’ does not belong in any discussion of taxonomy. And while we’re about it, can we dispose of another contentious word: race. Race might once have been a useful (but informal) term in biology to describe a genetically distinct population of individuals within the same species, but the word has become hijacked by disagreements within our own species, so I would suggest we set it aside completely. Along with the word ‘strain.’ There may be races and strains of giraffes – there probably are – but I don’t imagine even God expected Noah to collect every variation or every strain of giraffe on the ark. If he had there wouldn’t have been room for anything else.   

Now here’s another tricky word. Subspecies. The idea of the subspecies can feel like a rather helpful way for zoologists to avoid too many disagreements. We tend to call a group of animals a subspecies when we find them in a different area with particular differences in size, shape, or other characteristics, even though we might suspect that the different subspecies can probably interbreed. You might have read about the imminent extinction of the Northern white rhino. There are only two known individuals of this subspecies still alive. Both are female, so sadly this is almost certainly the end for the Northern white rhino. The two rhinos are called Najin and Fatu. They live in the Ol Pejeta Conservancy in Kenya where they are protected by armed guards. When they go it will undoubtedly be a great loss. But there is a sense that the loss of a subspecies is less of a tragedy than the loss of a species. Northern and Southern white rhinos have been living separately for at least half a million years, but the differences that are visible to us are subtle, and you would need to be an expert in rhino morphology to confidently tell them apart. There may be other differences, of course, that are not visible, and this might lead us to wonder if there are more rhino subspecies than the ones we know. This could also be true of giraffes. Noah would surely have had quite a challenge to untangle this. But the key point for us, and for Noah is this: if you have two subspecies that haven't interbred for half a million years, you do need to put both on the ark. Sorry. Remember that according to Bishop Ussher the flood that floated the ark was in 2349 BC, just 4,373 years ago - a blink of an eye in evolutionary terms. (Not really long enough by the way for a giraffe to evolve into an okapi but I did promise not to be provocative.)  The IUCN (the International Union for the Conservation of Nature) who are the arbiters of these things, officially recognises nine subspecies of giraffe. Here they are in the illustration below (happily a royalty-free image: thank you Alamy).   



 So the answer to our original question (memo to Mr Noah) appears to be eighteen giraffes. We have to hope the ceilings on the ark were high. 

But there is a follow-on question. Why don’t we all know this? Why don't illustrators of the ark know this? Why isn’t this taught in schools? How is it that we can identify soccer strips and car marques and fashion logos but we can only collectively identify one giraffe? We knowledgeably and assertively distinguish grape varieties and wine labels and cheeses and breeds of dog, but if you ask one hundred people what species of rhinos still walk the earth, most, I fear, wouldn’t know. (There are five, white rhinos, black rhinos, Indian rhinos, Javan rhinos, and Sumatran rhinos). Why does this matter? Well if we can’t tell animals apart, we won’t mourn them when we lose them. That is why this matters. As Toby Markham says in 'The Year of the Dugong:'  

"Do you know how many moths there are in Suffolk? How many species? Probably over two thousand. And how many people do you think could identify a single moth? Just one species?’ Toby raised a finger. He paused to look at the silent crowd. ‘I doubt if one person in a hundred could do that. So, if no one can identify even a single moth, how many people are going to notice if two thousand species of moths become one thousand? Or one hundred? How many people are really going to care?’

Natural history is becoming a dying art. That’s sad. I don't expect people to identify two thousand moths. But more people ought to know how many moths there are. Because if we don't care, then one by one they will surely go. And so will the Northern white rhino. And one day there may really only be a single species of giraffe. That's heartbreaking.  


Check out my website: www.johnironmonger.com 

Cats, and Spaghetti, and Climate Change [13 April 2023]

 I can’t remember when (or where) I first heard the expression, ‘herding cats.’ I don’t think this idiom was around when I was young. So far as I can tell, it was invented sometime in the 1980s and it took off. Soon everyone was using it. It’s a great little saying because we all know enough about cats to understand right away what it means. ‘I did my best, but it was like herding cats.’ At once we appreciate the futility, the complexity, and the sheer absence of co-operation from everyone concerned. You don’t get herds of cats. They are too bloody-minded.

My father had a saying that meant almost the same thing. But not quite. He would say, ‘it was like trying to organise spaghetti.’ Somehow, for me, organising spaghetti feels like an enterprise even more doomed to failure than herding cats. The cats may not want to be herded, but there is at least the possibility that they might eventually succumb. Spaghetti on the other hand will never submit to organisation. And unlike the cats this isn’t due to wilfulness or contrariness. Disorganisation is a property of the spaghetti itself.

Efforts to resolve the climate-change crisis are often compared to herding cats. In this metaphor the ‘cats’ are the 195 countries on the planet, across 7 continents, where no two countries think alike, or act alike, or have the same priorities, or enjoy similar political systems, or possess the same resources, or have the same levels of understanding. How do we ever herd these slippery belligerent cats into the same box?  Even so, I worry that the problem is more like organising spaghetti. There is no way to do this. We’ll never get everyone on board. Perhaps we ought to accept this and find a different way.

There is, by the way, a rather clever online tool called ‘Google NGram Viewer.’ It can help you to figure out when (but not necessarily where) a word or an expression arose. It searches millions of books over the past two centuries, and if the words you’ve entered appear in 40 books or more in any calendar year, it counts them and plots a graph to show how the frequency has changed with time.  Forty books feels like quite a high bar to me. If you enter ‘herding cats’ you won’t find any use of this expression until 1938. In 1942 the phrase disappears, and it doesn’t reappear until 1987. After that the frequency graph rises meteorically, like the lift-off of a space rocket. It is as if there was something that happened in the Eighties that made this expression useful.

If, by the way, you try ‘organised spaghetti’ in NGram Viewer you don’t get any results at all. Maybe this expression was exclusively my dad’s.

If I look up from my keyboard, and glance out of my window, I can see a storm coming. The clouds gathering over the estuary look as grey and heavy as gunmetal.

And now, in the time it has taken me to type that last sentence, the storm is upon us. The rain is driving against my window. I no longer have a view.  Funny how the weather can do that, and we all accept it. We look at the forecasts and we plan our days around them. Let’s do the beach on Sunday when the rain stops. But if we’re told the whole global climate is changing, we go into a complex form of denial.  We don’t really know how to plan. We hope that tomorrow will be much the same as today, and on the whole it is, and that gives us comfort. It makes us think this is nothing to worry about. Yet.

One metaphor I have heard used about climate change is ‘a slow-motion car crash.’ I used this myself in a novel, ‘The Wager and the Bear.’ The image I wanted was  of an impending catastrophe where the parts are all in motion, where no one is yet hurt, but where terrible death and destruction await if no one acts to stop it. A slow-motion car crash seems to tick all of those boxes. But all the same, I’m not altogether happy with this metaphor. For a start it seems too prosaic. (I’m using the word prosaic to mean lacking in poetry – but also to mean lacking in purpose.) I’ve tried to think of a better image. A train crash is better perhaps, because it involves more people. But slow-motion is insufficient to describe the slow and gradual increments of change that the climate crisis delivers. Sea levels are rising by around four and a half millimetres a year. In ten years, at this rate, they will rise four and a half centimetres. And the sea, as we know, moves up and down, sometimes quite erratically so that doesn’t feel like a threat. Not really. In a century the sea might rise forty five centimetres. About knee high. And none of us likes to think forward more than a century. Do we?

Isn’t that odd? We don’t have this blind spot with history. We’re fascinated by the lives of the Tudors (Henry VIII was on the throne 500 years ago). We love stories about the Romans (2,000 years ago). And yet we don’t speculate much on where our descendants might be in 500 or 2,000 years – what kind of world they will inhabit. Or what (since we chose this measurement) the sea levels might be. So let’s speculate then. Assume that sea levels keep on rising at 4.5mm a year (in reality the rate will almost certainly accelerate but let’s ignore that for a moment.) Our descendants in 2000 years will inherit seas 9 metres higher than today. The map of the world will have been altered irreversibly. Britain will have lost most of East and Central London, and great swathes of the Thames Valley including towns like Dartford, and Kingston. Hundreds of seaside towns will have been wholly lost to the rising waters - places like Portsmouth, Southampton, Middlesborough and Blackpool, Cardiff and Newport, and Gloucester. Lincoln (now 38 miles from the sea) will be a seaside town. So will whatever remains of Cambridge. So will York. So will Taunton.  Across The Channel most of the Netherlands and much of Belgium will be underwater.  So will huge tracts of Northern Germany. America will lose thousands of communities down the Eastern seaboard. China will lose Shanghai and Guangzhou. Bangkok and Kolkata and Ho Chi Minh City will be gone. And Basra, Abu Dhabi and Dubai. 

And here’s the thing. The water will still be rising. It still has a way to go. If all the ice melts (and it probably will if global temperature rises by 4 degrees) then sea levels rise seventy metres or so.

9 metres of sea level rise puts the Netherlands underwater


And sea level changes are, perhaps, the least of our worries. A 4 degree rise would make most of the world between the tropics practically uninhabitable. It would certainly make agriculture almost impossible. It will cause catastrophic drought . And the Northern farmlands which will now be warmer will not take up the slack. Celestial mechanics will still restrict sunlight in winter, and the soils are anyway very unproductive. And anyway a weird side effect of climate change might mean that as the world gets hotter (and sea levels keep rising) Europe curiously will get colder as ocean currents slow down.

Finally there is a terrifying threat. This is how it might be in, 'The Year of the Dugong.' If atmospheric CO2 levels exceed 1,200 parts per million (ppm) (and they could) it could push the Earth’s climate over a tipping point. This would see clouds start to break up, and, a cloudless world will reflect away less sunlight. According to research published in the journal Nature Geoscience, this could trigger another 8°C rise in global average temperatures. Game Over. 

So slow-motion train crash doesn’t work, does it? ‘Ultra-slow motion asteroid-collision,’ might be better. A disaster movie that runs at one frame a year. But the disaster is still going to happen. And it is inevitable unless we can herd the unruly cats who govern us and get them to start organising the spaghetti. Now.


Please check out my website for more information on my books. https://www.johnironmonger.com 



Out today for COP26 ... 'The Year of the Dugong.' (1st November 2021)

 


My novella for COP26, 'The Year of the Dugong,' is now available in English as a Kindle Novella. I should dearly love you to read it. I would especially love you to read it during COP26. It isn't a long read. It's about one quarter the length of a full novel. But I hope it packs a serious punch all the same.  Here is the link: https://www.amazon.co.uk/dp/B09KQRY62C/ref=cm_sw_em_r_mt_dp_S30JFFM17SMMND320K9V

I wrote this as a short story to highlight issues around climate change and extinction. If you like it, and if it moves you at all, do please let me know. 

The story has been published exclusively as a hardback novella in German by S Fischer Verlag - as 'Das Jahr des Dugong.' 

Please check out my website for more information on my books. https://www.johnironmonger.com 



The Year of the Dugong (Das Jahr des Dugong): The Inside Story (31st May 2021)

 


This gorgeous cover-design is for my novella, ‘The Year of the Dugong’ (Das Jahr des Dugong)’ due to be published in German on October 26th by the amazing team at S Fischer Verlag in Frankfurt. So far, this is an exclusive deal and I don’t yet have (any may never have) an English language publisher for this story. All of which may sound a little odd, and it deserves an explanation.

Perhaps I should start with the story.

Early in 2020 my agent, Stan, called me for a conversation. Did I have another novel on the go? I told him I did. Sort of. Except it wasn’t strictly a novel. It was a collection of short stories. There was an uncomfortable silence on the phone. You never want your agent to go silent. And this was when I learned that short stories are not particularly popular with publishers. It may be my memory, but I seem to recall the expression, ‘career suicide’ being floated in the conversation. It wasn’t especially encouraging.

Anyway, I stubbornly persevered with the collection, and sure enough, just as everyone had predicted, the final set of stories was not really suitable for publication. Which is a shame, but I get it. I shelved the stories and started work on a novel instead.

But here comes the silver lining. There was one story in the collection I was reluctant to part with. It was a tale about climate change. Climate change is a tough subject for a fiction writer. It is a slow, unfolding catastrophe, and the time scales are generally too long to grapple with effectively – at least within the lifetime of a single protagonist. To get around this, I had the idea of a Rip-Van-Winkle character from 2019 who falls asleep and awakens a very long time in the future, only to find himself blamed for his part in the destruction of the planet. One day, in the spring of 2021, I mentioned the story on a zoom call with S Fischer Verlag. ‘The Whale at the End of the World, (Der Wal und Das Ende der Welt)’ had been in Der Spiegel’s Top 10 Paperback chart for 50 weeks, and we were exchanging ideas for the new novel. At one point I said, ‘this reminds me of a short story I’ve just written,’ and my editor in Frankfurt said, ‘send it to me.’  A day or so later she called back. Could they please publish it?

The story was The Year of the Dugong.

I am so excited that Fischer are publishing Dugong as a novella. I did wonder, for a while, if I ought to develop it into a full-length novel, but truthfully, the story felt complete;  I sensed that stretching it out, and introducing more characters would dilute the impact. I asked my editor at Fischer if she could time the publication to coincide with COP26, the UN Climate Conference planned for November 2021. She agreed. So it will hit the bookstands in Germany on 27th October.

If no UK publisher picks up the story, I will post the English language original onto this blog as a PDF or Kindle file to coincide with the German publication. Or drop a comment into this blog and I will email it to you on 27th October.  

And that’s it. That’s why I find myself in the very unusual position of having a book published exclusively in a language that I don’t speak. And it has a beautiful cover. Don’t you agree?

 Please check out my website for more information on my books. https://www.johnironmonger.com 

AI Illustrates 'The Wager and the Bear': Part Two - Chapters 7-13

  Here we go with some more of the weird and wonderful creations of OpenArt.AI illustrating chapters from 'The Wager and the Bear.' ...