Showing posts with label The Whale at the End of the World. Show all posts
Showing posts with label The Whale at the End of the World. Show all posts

A Farewell to Barbara Whitnell (17th March 2021)



 

My aunt, Ann Hutton, was the novelist Barbara Whitnell - (a name she took from her own grandmother). She was, I believe, the author of 14 published novels, and she made the Times Bestseller list. She died this week just short of her 92nd birthday. Ann was a big inspiration to me and encouraged me to write. I owe her a great deal. She was a larger than life character. She was just ten when the war broke out, and sixteen when it ended, but it often felt to me as if she was more at ease with the post war generation. She was more of a 1950s-breakout-woman, than a 1940s-war-girl; always slightly rebellious, a rule breaker, a risk taker. She lived a glamorous life - living in places like Kenya and the Turks and Caicos Islands, but it was to Cornwall, the county of her childhood, that she so often returned, and about which she would write many of her stories. She and her husband Bill retired to Fowey, a little fishing village on the Cornish coast, and is was from here that Ann wrote many of her books.

I can reveal now that Ann was the inspiration behind the character of Demelza Trevarrick in my novel, 'Not Forgetting the Whale.' (The Whale at the End of the World). One clue, for anyone with a memory long enough, was the name of Ann's house in St Austell in the 1960s - 'Trevarrick'. There wasn't much similarity between Ann's life and Demelza's (beyond the fact that both were romantic novelists living in Cornish seaside villages), but all the same it was Ann's voice that I could hear in my head whenever Demelza spoke. She had a knowing way of talking, with the allure of someone who knows everything and has seen everything. I remember Ann in the 1960s used to smoke cigarettes in a holder like Audrey Hepburn, and that too, for some reason, became an image I attached to Demelza.

It occurs to me now, as I write this, that there is a coincidence I can relate. Sometime in the 1990s (I shall guess at 1996) I was boarding a flight at Heathrow bound for Johannesburg. It was a business trip. I heard a voice calling my name. There was Ann. I hadn't met or spoken to her for several years. But by an extraordinary twist of fate she was on the same flight, off on a book tour of South Africa. She and Bill were in First Class. I was in steerage. Nonetheless, when we were in the air, she came and sat in the seat next to me and we gossiped for much of the journey. We talked a lot about writing. About the discipline, and the mechanics, and the preparation. I had written a non fiction book at this stage (The Good Zoo Guide) but I wanted to write fiction. She gave me some advice that I have often passed onto others as if the wisdom was my own. 'Just write it,' she told me. 'It may not be a masterpiece. Your first novel rarely is. But writing is a craft, and you will get better.'

Ann leaves behind her four lovely children, my cousins Lindsay, Judi, Chis and Tim - and of course her grandchildren and great grandchildren. She also leaves those books.

Please check out my website to learn more about my books:  https://www.johnironmonger.com

Why this has been The Year of the Whale: (Der Wal und das Ende der Welt and The Whale at the End of the World) (23rd February 2021)

 An odd thing has happened. ‘Not Forgetting the Whale’ has sold amazingly well in Germany. I should love to take all the credit, but in truth I owe much of the success to a remarkable German publisher, and most of the rest to the pandemic. The publisher is S.Fischer Verlag, a small but very dedicated imprint in Frankfurt. They are lovely. They are smart. They renamed the novel, ‘Der Wal und das Ende der Welt’ – or ‘The Whale and the End of the World,’ and they gave it a startlingly clever cover – an arresting orange ground with a fin whale swimming into view from the back cover. They promoted the book really well. Big displays in bookshops. Lots of press. This was in 2019. And well, we all know what happened next. Covid came along. The paperback was due to launch in August 2020, but someone at Fischer had a hunch that the central story of ‘Whale’ (a global flu pandemic) might be topical enough to justify an earlier launch. They brought it forward to March 25th. Smart move. It went straight into the Spiegel paperback chart at No 6 – just behind Camus’ ‘Plague.’ By 20th May it had crept up to No 3, and by 20th August it was at Number 2. Christmas came and it was Number 1. Today, as I write this, it is still up there at Number 5. It has been in the top 10 for 49 weeks. On social media, in Germany, it has been



a phenomenon. More than 560 people have posted photographs of their copy on Instagram. I have lost count of the Twitter messages. The image above is just a snapshot of some of the hundreds of Facebook posts.

I could pretend to be wholly nonplussed. Perhaps I should. But the truth is, of course, I’m over the moon! It’s amazing! (I don't think you'd ever find a novelist who wouldn’t like to see ‘The International Bestseller’ on the cover of their book.) So a huge thank you to S Fischer Verlag, and to Susanne Halblieb, Elisa Diallo, Siv Bublitz, Petra Wittrock, and Janina Bradac, and of course to Maria Poets for her fantastic translation, and to Kirsty and Stan and Fede and  Ellie Freedman and the brilliant team at Orion Books, and to Krystyna who sold the German rights. And now, guess what, it has been relaunched here in England as, ‘The Whale at the End of the World,’ (which is curiously unsettling because now I don't know what to call it.) But it is doing ok. And it is doing well in the Netherlands too as ‘De Dag Dat De Walvis Kwam’ (The Day the Whale Came.) And it will launch soon in Italy. Altogether it has been translated into twelve languages! It is to be made into a German TV series. And it has been turned into a stage show (with music by Sting). Gosh. I'm truly stunned..

My Map Pins (3): Mevagissey, Cornwall (Posted February 2021)

 



This is a photograph of Mevagissey from the 1970s when I lived here with my family. It is a traditional Cornish fishing village on the south coast. My mother grew up here. The middle picture is of my mum and old Mr Cloke the fisherman. When my father retired from his job in Nairobi, he bought a grocery shop here. They called it ‘The Harbour Stores.’ (The third picture is my dad in Mevagissey at about that time.) I was seventeen. I thought I would hate living in a remote village at the end of the world. I was wrong. I loved it.  Years later, Mevagissey would inspire my novel ‘The Whale at the End of the World,’ (also called ‘Not Forgetting the Whale’). Mr Cloke was the inspiration for Old Man Garrow in the novel. Mevagissey is a little bigger than St Piran (the fictional town in the story), but it was the sense of community I was trying to capture. That’s a plug, in case you haven’t read the book. The What3Words (below) takes you to my dad’s shop. Today it is a bakery and an art shop.  

what3words /// The simplest way to talk about location

What3Words: panics.backers.leaky

AI Illustrates 'The Wager and the Bear': Part Two - Chapters 7-13

  Here we go with some more of the weird and wonderful creations of OpenArt.AI illustrating chapters from 'The Wager and the Bear.' ...